Amateur Photo: The Club der Amateur-Photo-graphen in Vienna (later named the Wiener Kamera Klub), the Gessellschaft zur Forderung der Amateur Photographic (Society for Promoting Amateur Photography) in Hamburg, the Photo-Club de Paris, the Camera Qub of London, the Society of Amateur Photographers of New York, and the New York Camera Club were i institutions of an importance far beyond the usual mea ing of the word "club." Their members were overwhek ingly those amateurs who were referred to in the pre as "serious" or "advanced."
49. Dixon Scott, "Welding the Links: The Salon Show at Liverpool," The Amateur Photographer, vol. 50 (1909), pp. 48-49.
50. Frederick H. Evans, "The New Criticism," The Amateur Photographer, vol. 50 (1909), pp. 89-90.
51. "The Photo-Secession at Buffalo," a portfolio of photographs purchased by the Albright Gallery in 1910.*
52. Sadakichi Hartmann, "What Remains," Camera Work, no. 33 (1911),pp. 30-32.
18. Reprinted in The Amateur Photographer, vol. 18 (October 27, 1893),p. 271.
19. Bulletin du Photo-Club de Paris, vol. 3 (February 1894), PP. 33-34.
20. Alfred Litchwark, in Fritz Matthies-Masuren, Kunstlerische Photographie (Berlin: Marquardt & Co., 1907), p. 2-3.
21. Ibid., p. 11.
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