Documentary Film: As social photographers they shied away from the word "artistic," and the voluminous literature of the movement is insistent that documentary film is not art. "Beauty is one of the greatest dangers to documentary," wrote the producer-director Paul Rotha in his Documentary Film.6 He came to the astonishing conclusion that photography -the very life blood and essence of the motion picture- was of secondary importance and if too good might prove detrimental. Yet Grierson wrote that documentary was from the beginning ... an 'anti-aesthetic' movement .
He gets the chance to perform the part of himself in a remarkable documentary, "Moshe Safdie, the Power of Architecture," which kicks off a nine-part series called "Architects on Film" at the Boston Museum of Fine Arts.
It's a rich film, kept alive for all of its 90 minutes by Safdie's personal charm and gift of gab, as well as what the director, Donald Winkler of Montreal, calls "his instinctive sense of when he was on camera."
Most of the British rockets used in World War II were 3.7-inch antiaircraft rockets fired frorc launchers called Z-guns. Later a 5-inch ground-to-ground rocket was developed. A Russian rocket launcher, the Katusha, was highly publicized daring the war, especially because of a documentary film, The Defense of Stalingrad. The film to mention that the rockets had been produced at the Sunflower Ordnance Works of the Hercules Powder Company in Tennessee.
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Photography
