Photo-secession Exhibition: 42.The Photo-Secession exhibition, no. I (1902), p. 1.
43. Alfred Stieglitz, "The Photo-Secession exhibition at the National Arts Club, New York," Photograms of the Year, pp. 17-20.
44. New York Evening Sun; reprinted in Camera Notes, vol. 6 (1902), p. 39.
45. Photography, vol. 7 (1904), p. 243.
46. The Photo-Secession exhibition, no. 5 (1904), p. 2.
47. Photography News, vol. 53 (1908), p. 268.
48. Frederick H. Evans to Alfred Stieglitz, December 6, 1908, Stieglitz Archives, The Beinecke Rare Book and Manuscript Library, Yale University, New Haven, Connecticut.
Just after the founding of the society, Stieglitz was personally invited by the National Arts Club to organize an exhibition of American pictorial photography in their New York building. "I enlisted the aid of the then newly organized and limited 'Photo-Secession exhibition,' " he wrote in Photograms of the Year 1902, "and it was determined to hold the forthcoming exhibition under the auspices of that group."
In 1910 the Photo-Secession exhibition was invited toarranj international exhibition of pictorial photography ai Albright Art Gallery in Buffalo. Complete control d presentation was demanded and secured: Stieglitz,' the aid of his friends Paul Haviland, Clarence H. WI and the painter Max Weber, transformed the muse They covered the exhibition walls with olive and i cloth, and hung 600 photographs. Each photographer vited was represented by enough prints to enable his tistic development to be traced over the years.
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